Latino Punk Music :: Politics Political Spanish Rock Essays

Latino goon Music Abrasive rock music has rarely been considered a firm political force in the coupled States. Punk is no exclusion to this rule. As a subculture, punk has received much more atention for its hairstyles and acrid sounds than its politics. As Daniel Rosenblat points out, punk rock Confounds our conventional (western) notions of politics by its focus on maters which we consign to different domains entirely (1). What he means i s that because punk does not express its political discourse in traditional venues or traditional terms, it is discounted as apolitical or politicaly impotent. To wit, Hebdige argues that subcultures mint do litle more than provide a signal of Refusal, and should be considered vindicatory the darker side of sets of regulations (3). Latino punks have countered these claims since the 1970s, with lyrical assertions that their political speech is an necessity precursor to political change. In this paper I explore the ship canal in which contemporary Latino punk self -defines as political, in contrast to early punk bands who refused to be affiliated with politics. By explicitly aligning with political causes, Latino punk establishes a tension surrounded by punks historical tendencies towards forgetfulness and self -fulfilment, and new political agendas that refer awareness and change. I conclude by asserting that the punk causal agent is preoccupied with individual fulfilment at the expense of political activism, a tendenc y that ultimately undermines its political import.Jose Palafox, of Wiretap Magazine, portrays Latino punk as a departure from the larger subcultural category of punk, which he dismisses as fast, in -your-face music played by weird -looking white youth. M any(prenominal) Latino punks assert that as members of a marginalized group within the United States, politics are a necessary element of their musical expressions. thurify lyrics demand change on behalf of Latin Americans denied political vo ice. Los Crudos was one such purveyor of this politicaly inclined in - your-face music and as a particularly favourite and active group within the hardcore -punk community, Los Crudos is in many ways representative of Latino punk in the 1990s. The band began its musical efforts i n Pilsen, the Chicago barrio where lead singer MartinSorrondeguy spent his childhood. The bands messages focus on the problems effecting Latin Americans both in the United States and abroad. Sorrondeguy explains We treasured to communicate with other ki ds and with people in our part about things that were effecting us (qtd.