Platos Repubulic- Music, Art, Literature Essay -- essays research pap

In The Republic, Plato uses many opposite aspects in Books II, III, and X including art, literary productions, and music. These aspects play a huge part in the building of the ideal city. Plato includes what can and cannot be used and what is bang-up and what is bad for the city. While building the city, e realthing is broken down and analyzed by Plato. Art as an delusive of genuinely things, three types of imitation, the types of literary works, art, and music allowed and not allowed in the city, and the impact of art on the people of the city provide all be analyzed in this paper. Books III and X drive off information on art as an imitation of real things. Imitation, we say, imitates world beings performing forced or voluntary actions, and, as a precede of the action, supposing themselves to have done well or badly, and in all of this experiencing vexation or enjoyment (287). Plato also describes art as the imitation of real things as a replica of an object. A painter paints a impression of a stray. The couch in the painting looks the same as the couch that was used for the painting, but the couch in the picture is a imitation of the original couch. Plato makes it seem that art imitates the objects and events of real life. Plato furthers his point by introducing his possibility that a copy of a copy of an object is imitation. For example, carpenters build a cope which they did not originally event. The carpenters bed was build by the carpenter but it was based off another bed that was originally created by God. This makes the carpenters bed a copy of another bed. When a painter is painting he also creates a copy of an object. If he paints the carpenters bed, it is a copy of a copy of an object. Plato includes, imitation is authorizedly far from the truth, and, as it... ...s that the people are very of import to Plato. If degrading artwork, stories, or poems enter the city it could make the people weak, unhappy, and very depressed. On the other hand, if positive artwork is introduced the whole mood of the city changes. They could be come strong, happy, and vivacious. Plato made sure that there was no literature or music that sad or discouraging in the city. As seen in Books II, III, and X, art, literature, and music played a thumping part in putting the ideal city together. The imitation of art had a large impact on everyone in the city, each type of music had to contain the personality or job of each person in the city, and the literature had to be watched closely so that the women, children, and even men were not distraught by it. While building the ideal city Plato had to make sure everything was perfect so that everyone was happy.